St Merry Mead is a quiet village, a place where gossip
flourishes and even the slightest hint of scandal is the source of ladies
conversation at afternoon tea.
Colonel Lucius Protheroe (Derek Jacobi) has made a
reputation as one of the most despicable residents. He thinks himself superior
to everyone else, and finds pleasure in putting down the local vicar, Leonard
Clement (Tim McInnerny), even going so far as to covertly express the matter in
front of the entire congregation. This is something that Leonard’s new wife (Rachel
Stirling) takes offense at. Much younger than her husband, Griselda Clement is
often the topic of conversations… especially when it comes to a struggling
artist living in the village. Lawrence Redding (Jason Flemying) has a
reputation as quite the ladies’ man and in St. Merry Mead alone he is
associated with several of the ladies. Commissioned to paint Colonel
Protheroe’s daughter, Lettice (Christina Cole), the Colonel is outraged to
discover his daughter is suggestively posing for the portrait while his second
wife, Ann (Janet McTeer) attempts to keep peace in the household.
Meanwhile, St. Merry Mead’s most revered resident – quite
well-known for her tendency to solve puzzles, Miss Jane Marple (Geraldine
McEwan) has a front row seat to all the mysterious happenings after a sprained
ankle. The vicarage garden shed is the place where so many of the goings-on occur,
and the rumors going on raise more questions than answers.
When finally I saw these, they were
watched backwards. I started with series five before purchasing the “collection” release for my mom as a Christmas present one year. Though these
modern adaptations are far from perfect in some terms, they are probably some
of the most intelligent scripts on TV. Dialogue is sharp and witty, and the
mysteries are top-notch. Each are complicated all while building the kind of
suspense needed to keep us wavering on the edge as to which characters are
good and which are not. And I was on the edge of my seat. Writers,
directors, and cast reveal in their roles just what capable hands this series
is in. All four tele-films are thrilling in their capacity. Murder at the Vicarage is probably the
least impressive in terms of the crime but nevertheless it is still
entertaining. For a screenplay to juggle so many intricate plots, clues and
details is not something to make light of. The
Body in the Library is the most ingenious while 4:50 from Paddington (although the end is cute, I will confess, I
was rooting for the alternate) is likely my favorite.
Although something often associated to these new
adaptations, I’d be remiss not to mention the guest stars are some of the best,
most talented Britain has to offer. Derek Jacobi, Christina Cole, Cherie
Lunghi, Keeley Hawes, Matthew Goode, and Jack Davenport are only a few of the recognizable names and faces
while Julie Cox stars as a young Miss Marple in a heartbreaking flashback.
There has been much disagreements and conflict as to which actress depicts Miss
Marple the best. Coming from someone unfamiliar with the original context, I
can say that now I’ve seen three leading ladies in the role, I think Geraldine
McEwan takes two sides of a personality and mixes them to give the best
portrayal of Miss Marple I’ve seen. Her interpretation of the iconic figure is
just enough of the grandmotherly type – having never married nor raised
children she perhaps wouldn’t be the most natural nurturer, while maintaining a
slight sinister characteristic when
she lays out the crimes. She totes around her knitting bag, is never seen
without a mystery novel and still manages to catch a killer… all while knitting
(who says you cannot multi-task and still accomplish things?). In spite of all
the marvelous attributes and classic material, there are some drawbacks you should
take into consideration (more in the "footnote").
Filmmakers more than make up where they fail conservative
viewers in the content. Sets and costumes are rich in period detail. The
countryside scenery is breathtaking and the camera angles and editing was
crafted well. In terms of filming, if one thing does become a bit “old,” it’s
the use of so many flashbacks. They are frequent most especially in the opening
and in what follows but that does seem to settle down to some extent so that it
isn’t quite the distraction it once was or perhaps, I merely became accustomed
to them; they all are eight, ten, fifteen years later so that the foundation of
the tale is more important than it may have seemed. No matter your motivation
for seeing these – cast, genre, era, one thing you can be assured of is an
entertaining evening of fun while you try and solve a jolly good murder with
the delightful antics of St. Merry Mead’s most famous resident.
(Be aware: Two episodes include a homosexual plot; both of
which show a same-sex kiss. Illegitimate children are mentioned as are
adulterous affairs, some of which are motive for murder. The first of the set
sees a brief tryst between a married woman and her lover when they are caught.
Victims are poisoned, others are bludgeoned to death, and another is shot. The
worst of the language are uses of b*sst*rd and b*tch.)



































I LOVE Agatha Christie books, and look forward to BBC's Miss Marple movies every year! =D
ReplyDeleteI think these are just phenomenal. Love the intricate scripts - these are such great writing in my book. :-)
ReplyDeleteI have enjoyed Agatha Christie's Miss Marple stories so much! I've seen a few TV episodes as well, but I think they were different ones...not sure, it's been quite a while. :) Good review!
ReplyDeleteAs have I, Charity. My mother and I have breezed past all of the currently available ITV productions and are *dying* to see the new ones in 2013. :)
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